HISTORY AS LITERATURE
AND OTHER ESSAYS
BY    THEODORE  ROOSEVELT 

ESSAY PRODUCTIVE SCHOLARSHIP
WHAT counts in a man or in a nation is not what the man or the nation can do, but what he or it actually does. Scholarship that consists in mere learning, but finds no expression in production, may be of interest and value to the individual, just as ability to shoot well at clay pigeons may be of interest and value to him, but it ranks no higher unless it finds expression in achievement. From the standpoint of the nation, and from the broader standpoint of mankind, scholarship is of worth chiefly when it is productive, when the scholar not merely receives or acquires, but gives.

( footnote '"The Mediaeval Mind."    By Henry Osborn Taylor. "The Life and Times of Cavour."    By William Roscoe Thayer. 197  End footnote)

Of course there is much production by scholarly men which is not, strictly speaking, scholarship; any more than the men themselves, despite their scholarly tastes and attributes, would claim to be scholars in the technical or purely erudite sense. The exceedingly valuable and extensive work of Edward Cope comes under the head of science, and represents original investigation and original thought concerning what that investigation showed; yet if the word scholarship is used broadly, his work must certainly be called productive scientific scholarship. General Alexander's capital "Memoirs of a Confederate" show that a man who is a first-class citizen as well as a first-class fighting man may also combine the true scholar's power of research and passion for truth with the ability to see clearly and to state clearly what he has seen. Mr. Hannis Taylor's history of "The Origin and Growth of the American Constitution" and General Francis V. Greene's history of the American Revolution could have been written only by scholars. Such altogether delightful volumes of essays as Mr. Crothers's "Gentle Reader," "Pardoner's Wallet," and "Among Friends" may not, in the strictest sense of the word, represent scholarship any more than the "Essays of Elia" represent scholarship; but they represent more than scholarship, and they could have been written only by a man of scholarly attributes. The same thing is true of Mr. Maurice Egan, now our Minister to Denmark—who so well upholds the tradition which has always identified American men of letters with American diplomacy—in his essays in Comparative Literature, named, as I think not altogether happily, from the first essay, "The Ghost in Hamlet." Mr. Egan writes not merely with charm but as no one but a man of scholarly attributes could write—and, by the way, his dedication to Archbishop John Lancaster Spalding is a dedication to a man whose lofty spiritual teachings have been expressed in singularly beautiful English. In its most perfect expression scholarship must utter itself with literary charm and distinction; although, I am sorry to say, the professional scholars sometimes actually distrust scholarship which is able thus to bring forth wisdom divorced from pedantry and dry-ness. As an example, Gilbert Murray's "Rise of the Greek Epic" not only shows profound scholarship and the profound scholarly instinct which can alone profit by the mere erudition of scholarship, but is also so delightfully written as to be as interesting as the most interesting novel; and, curiously enough, this very fact, coupled with the fact that Mr. Murray's translations of Euripides and Aristophanes are so attractive, has tended to excite distrust of him in the minds of worthy scholars whose productions are themselves free from all taint of interest, from all taint of literary charm. Professor Lounsbury's extraordinary scholarship has been fully appreciated only by the best scholars; and this partly because of the very fact of his many-sided development in the field of intellectual endeavor.

But I speak now of works of scholarship in the more conventional sense, of works which show scholarship such as Lea showed in his history of the Inquisition,  such  as  Child  showed  in his studies of English ballad poetry.

Mr. Taylor's study of "The Mediaeval Mind" is a noteworthy contribution—I am tempted to say the most noteworthy of recent contributions —to the best kind of productive scholarship. His erudition is extraordinary in breadth and depth, his grasp of the subject no less marked than his power of conveying to others what he has thus grasped. He is not only faithful to the truth in large things, he is accurate in small matters also; and where he makes use of any statement he always shows that there is justification for it; although, by the way, I can only guess at his reason for calling Attila a "Turanian"—a word which carries a pleasant flavor of pre-Victorian ethnology, and might just about as appropriately be applied to Tecumseh. As he expressly states, Mr. Taylor is not concerned with the brutalities of mediaeval life, nor with the lower grades of ignorance and superstition which abounded in the Middle Ages, but with the more informed and constructive spirit of the mediaeval time. There is, of course, no hard and sharp line to be drawn between mediaeval time and, on the one hand, what is "ancient" and, on the other hand, what is "modern"; but for his purposes he treats the twelfth and thirteenth centuries as showing the culmination of the mediaeval spirit in its most characteristic form; although he also incidentally touches on things that occurred in the fourteenth century, and of course covers the slow upward movement through the Dark Ages (as to which he does rather less than justice to the Caro-lingian revival of learning), when men were groping in the black abyss into which civilization so rapidly slid after the close of the second century. His mastery of the facts is well-nigh perfect, and he handles them with singular sympathy. In such chapters as "The Spotted Actuality" he makes it evident that he has constantly before his own mind the whole picture. The ordinary reader, however, needs to remember that it is no part of Mr. Taylor's purpose to present this whole picture, but merely to make a study somewhat analogous to what a study of the intellect of the nineteenth century would be if it dealt exclusively with the thought of the various universities of Europe and America and of circles like that of Emerson at Concord and Goethe at Weimar. Indeed, this comparison is hardly accurate, for the universities of the nineteenth century had a far closer connection with the living thought of the day than was true of the universities of the twelfth and thirteenth centuries. The latter (like their feeble survivals in the Spanish-speaking countries) much more closely resembled the ordinary type of Mohammedan university of the present day, such a university as the big Mohammedan university at Cairo, than they resembled any modern university worth calling such, or, indeed, any ancient university of living and creative force. The schoolmen of the Middle Ages and the universities in which they flourished are well worth such study as that which Mr. Taylor gives them, if only because they represented what regarded itself as the highest spiritual and intellectual teaching of the time, and because they symbolized the forces which manifested themselves with infinitely more permanent value in that wonderful cathedral architecture which was one of the two culminating architectural movements of all time—the other, of course, being the classical Greek. But the greatest mediaeval effect upon the thought of after time was produced, not by the schoolmen, but by works which they would hardly have treated as serious at all—by the Roland Song, the "Nibelungenlied," the Norse and Irish sagas, the Arthurian Cycle, including "Parsifal"; and modern literature, on its historical side, may be said to have begun with Ville-hardouin and Joinville. None of the leaders of the schools are to-day living forces in the sense that is true of the nameless writers who built up the stories of the immortal death fights in the Pyrenean pass and in the hall of Etzel, or of the search for the Holy Grail. There are keen intellects still influenced by Thomas Aquinas; but all the writings of all the most famous doctors of the schools taken together had no such influence on the religious thought of mankind as two books produced long afterward, with no conception of their far-reaching importance, by the obscure and humble authors of the "Imitation of Christ" and the "Pilgrim's Progress." In the thirteenth century the spiritual life in action, as apart from dogma, and as lived with the earnest desire to follow in the footsteps of the Christ, reached, in the person of Saint Francis of Assisi, as lofty a pinnacle of realized idealism as humanity has ever attained. But among those who, instead of trying simply to live up to their spiritual impulses, endeavored to deal authoritatively in the schools with spiritual and intellectual interests, the complementary tyranny and servility in all such spiritual and intellectual matters were such as we can now hardly imagine to ourselves. The one really great scientific investigator, Roger Bacon, who actually did put as an ideal before himself the honest search for truth, was imprisoned for years in consequence; and this in spite of the fact that his avowals of abject submission to theological authority and unquestioning adherence to dogma were such as we of to-day can with difficulty understand.

   At first sight such an attitude in the intellectual world seems incompatible with the turbulent and lawless insistence on the right of each individual to do whatever he saw fit in the political and social world which characterized the seething life of the time. But, as Mr. Taylor points out, the minute that a man in the Middle Ages began to be free in any real sense he tended to become an outlaw; and, moreover, the men who were most intolerant of restraint in matters physical and material made no demands whatever for intellectual or spiritual freedom. The ordinary knight or nobleman, the typical "man of action" of the period, promptly resented any attempt to interfere with his brutal passions or coarse appetites; but, as he had neither special interest nor deep conviction in merely intellectual matters, he was entirely willing to submit to guidance concerning them. The attitude of the great baron of the highest class is amusingly shown by a conversation that Joinville records as having occurred between himself and King Louis the Saint. Among the questions which King Louis one day propounded to Joinville, in the interests of the higher morality, was whether Joinville would rather have leprosy or commit a mortal sin; to which Joinville responded with cordial frankness that he would rather commit thirty mortal sins than have leprosy. Now, in addition to being a most delightful chronicler, Joinville was an exceptionally well-behaved and religious baron, standing far above the average, and he was very careful to perform every obligation laid upon him by those whom he regarded as his spiritual advisers. The fact simply was that he had no idea of the need for spiritual or intellectual independence in the sense that a modern man has need for such independence, because he took only a superficial interest in anything concerned with intellectual inquiry. To harry a heretic or a Jew was not only a duty but a pleasure, and no effort whatever was needed to refrain from intellectual inquiry which presented to him not the slightest attraction; but leprosy was something tangible, something real, and the instant that the real came into collision with even the most insistent supposed spiritual obligation the rugged old baron went into immediate revolt.

The whole way of looking at life was so different from ours that only a thoroughly sympathetic and understanding writer like Mr. Taylor can set it forth in a manner that shall be sympathetic and yet not revolt us. One of his most delightful chapters is that on "The Heart of Heloise." The qualities that Heloise displayed are those which eternally appeal to what is high and fine in human life; as for her lover, Abelard, it is possible to pardon the abject creature only by scornfully condemning the age which imposed upon him the rules of conduct in accordance with which he lived.

Mr. Thayer's "Life of Cavour" is another first-rate example of productive scholarship. It is much more than a mere biography. The three greatest and most influential statesmen, in purpose and achievement, since the close of the Napoleonic epoch were Lincoln, Bismarck, and Cavour; and any account of either of them must necessarily be an account of the most vitally important things that happened to mankind during the period when each was playing his greatest part. An adequate biography of either must therefore be a permanent addition to history; such a biography could be written only by a scholar and writer of altogether exceptional attainments; and such a biography has been furnished by Mr. Thayer. Mr. Thayer is already well known as the author of various volumes dealing with Italy, all of them representing work worth doing, and all of them leading up to and making ready the way for the really notable history which he has now written. There are other books which should be read in connection with it; the younger Trevelyan's brilliant studies of Garibaldi and the Italian revolutionists of 1848 and the dozen years immediately succeeding, and De La Gorce's profoundly interesting histories of the Second Empire and the Second Republic in France, which contain the most powerful presentment of the period from the anti-revolutionary standpoint. Cavour not only did more than any other one man for Italian unity and independence, but he symbolized the movement as neither Garibaldi the Paladin, nor Mazzini the Republican, nor even King Victor Emmanuel symbolized it. As Mr. Thayer describes Cavour's career it is not only of interest in itself, but it is of interest as showing that vast and complex aggregate of contradictory forces through whose warring chaos every great leader who fights for the well-being of mankind must force his way to triumph. Cavour had to contend against foes within just as much as against foes without. He had to hold the balance between the unreasoning reactionary and the unreasoning revolutionist, just exactly as on a larger or smaller scale all leaders in the forward movement of mankind must ever do. Mr. Thayer has set forth in masterly fashion the task to which the great statesman addressed himself and the manner in which that task was performed; his book is absorbingly interesting to the general reader, and should be of profit not merely to the special student but to every active politician who is in politics for any of the reasons which alone render it really worth while to be a politician at all. Mr. Thayer is devoted to his hero, as he ought to be; and he is a stanch partisan; but his obvious purpose is to be fair, and the principles of liberty to which he pins his faith are those upon which American governmental policy must always rest —although it is not necessary to follow him in all his views, as when he suddenly treats free trade from the fetichistic standpoint instead of as an economic expedient to be judged on its merits in any given case. Every man interested not only in the realities but in the possibilities of political advance should study this book; and, in addition to its intrinsic worth and interest, it is an example of the kind of productive scholarship which adds to the sum of American achievement.
Anything that Professor Lounsbury writes is certain to be interesting. Any collection by him of the writings of others is also certain to be interesting. Probably when Mr. Lounsbury is doing what he himself is willing to accept as work, it is both so profound and so erudite that we laymen can do little but admire it from a distance. Fortunately, however, he is also willing to do what he regards as play, such as a Life of Fenimore Cooper, or a study of English adapted to the needs of those who are not scholars; and all of his writing of this lighter kind adds markedly to the sum of enjoyment of laymen who are fond of reading.

   The two volumes before me illustrate the good that can be done by people of cultivation who at our different universities provide the means needed to foster productive scholarship—for, unfortunately, productive scholarship in this country is apt to be unremunerative. The slender volume on the early literary career of Robert Browning 1 is based on four lectures delivered at the University of Virginia under the terms of the Barbour-Page Foundation, a foundation due to the wisdom and generosity of Mrs. Thomas Nelson Page. The "Yale Book of American Verse"2 is published by the Yale University Press under the auspices of the Elizabethan Club of Yale University, a club founded by Mr. Alexander Smith Cochran. It is the kind of club the possession of which every real university in the country must envy Yale.

This study of Browning particularly appeals to any man who, although devoted to Browning, yet does not care for the pieces that some of the Browning clubs especially delight in. Browning's great poems, those which will last as long as English literature lasts, are given their full meed of praise by Professor Lounsbury. The other poems, those which especially excite the interest of the average Browning society, are treated very amusingly and on the whole very justly. Professor Lounsbury insists that these "poems" will not permanently last, because they are essentially formless, and therefore not poetry at all, and indeed not literature. He holds that the attraction such poems exercise on certain people is the attraction of the unintelligible. Mr. Lounsbury's writings are always full of delicious touches, and he is sometimes at his best in this little volume, as, for instance, where he says: "In fact, commentaries on Browning generally bear a close resemblance to fog-horns. They proclaim the existence of fog, but they do not disperse it." One of his main contentions is that fundamentally the interest in those poems of Browning which are both very long and very obscure does not differ in kind from that displayed in guessing the answers to riddles or, to use a more dignified comparison, from that employed in the solution of difficult mathematical problems.
( footnote "The Early Literary Career of Robert Browning." By Thomas R. Lounsbury.
2"Yale Book of American Verse." Collected by Thomas R. Lounsbury. End footnote)

I think, however, that for the admiration of these rather obscure philosophical poems of Browning there is a reason upon which Mr. Lounsbury has not touched. He says truly that the men who admire Browning are very apt to be men not especially drawn to writers in whom lofty speculations have found their fitting counterpart in clearness and beauty of expression; and he instances Wordsworth and Tennyson as poets to be enjoyed only by men and women who have a certain degree of fondness for literature as literature. Now, I think it is true of Browning (as it is true of Walt Whitman) that many of the people who labor longest and hardest to master his meaning are entirely mistaken in thinking that they enjoy him as a poet. But I do not think that Mr. Lounsbury's explanation that they prize him only as a puzzle fully accounts for the enjoyment of many of these men or the profit they derive from their study. The fact is that Browning does represent very deep thought, very real philosophy—mixed, of course, with much thought that is not deep at all but only obscure, and much would-be philosophy that has no meaning whatsoever. In an instance that came to my own knowledge, a class of college boys in a course of literature, after carefully studying Browning for a couple of months, and after then taking up Tennyson, unanimously abandoned Tennyson and insisted on returning to the study of Browning. These hard-working, intelligent boys were not all of them merely interested in puzzles. They were not all of them blind to poetry as such. They did care to a certain extent for form, but primarily they were interested in the great problems of life, they were interested in great and noble thoughts. Doubtless many of them rather enjoyed having to dig out the thought from involved language. But probably a greater number felt a larger enjoyment in finding lofty thought expressed in language which was even more lofty than obscure.

It is true that as a poet Browning is formless. But the poets who are great philosophers are few in number, and great philosophers who have any gift of expression whatever or any sense of form, or whose writings so much as approach the outer hem of literature, are even fewer in number. Browning the philosopher is not more deep than many other philosophers, and in form and expression he is inferior to many poets. But he is a philosopher, and he has form and expression. The philosophy he writes is literature, even though hardly in the highest sense poetic literature. Therefore he appeals to men who are primarily interested in his writings as philosophy, but who do derive a certain pleasure from form or expression; who, without being conscious of it, do like to have the writings they read resemble literature. These men are given by Browning something that no other poet and no other philosopher can give them; and I do not think that these men receive full justice at Mr. Lounsbury's hands. Moreover, as compared to Tennyson or Longfellow, or any other of the more conventional poets —and I am extremely fond of these conventional poets—there is far more in Browning, even in Browning's simpler and more understandable and formal poems, that gives expression to certain deep and complex emotions. There are many poets whom we habitually read far more often than Browning, and who minister better to our more primitive needs and emotions. There are very few whose lines come so naturally to us in certain great crises of the soul which are also crises of the intellect.
"The Yale Book of American Verse" is an excellent anthology, and the preface is one of the best things about it. In this preface Mr. Louns-bury quite unconsciously shows why he appeals to so many men to whom a college professor who is nothing more than a college professor does not readily appeal. He mentions that on the march to Gettysburg he picked up a torn piece of newspaper containing certain verses which have always remained in his mind, and which he includes in this collection of verse. This is the only hint in Professor Lounsbury's writings that he fought in the Civil War. A professor of English literature in a great university who in his youth fought at Gettysburg must necessarily have something in him that speaks not only to scholars but to men.

This anthology includes hymns as well as secular poems. The collection is good in itself, as I have already said, and, moreover, to all real lovers of anthologies it will also seem good because each of them will take much satisfaction in wondering why certain of his or her favorite poems have been left out and why certain other poems have been put in. I suppose every man who cares for poetry at all at times wishes that he could compile an anthology for his own purposes. I certainly so feel. I would like to compile two anthologies, one of hymns and one of those poems which our ancestors designated quite ruthlessly as "profane," in opposition to sacred. I should not expect any one else to read either of my collections. I should not wish the edition to consist of more than one copy. But I would like, purely for my own use, to own that copy! In the anthology of hymns, for instance, besides all the great hymns, from Bernard of Morlais to Cowper and Wesley and Bishop Heber, I would like to put in some hymns as to which I know nothing except that I like them. Every Christmas Eve in our own church at Oyster Bay, for instance, the children sing a hymn beginning "It's Christmas Eve on the River, it's Christmas Eve on the Bay." Of course the hymn has come to us from somewhere else, but I do not know from where; and the average native of our village firmly believes that it is indigenous to our own soil—which it can not be, unless it deals in hyperbole, for the nearest approach to a river in our neighborhood is the village pond.
As for the "profane" anthology, I think I should like to make one consisting of several volumes. Even Mr. Lounsbury's volume of American verse, though it contains some specimens of verse I would not have included, omits others which I certainly should put in. And then, think of the many, many volumes that would be needed to include the English poems, and the French poems, and the German poems from the Bard of the Dimbovitza, and all the other poems which no human being could make up his mind to see any anthology leave out! I fear that a perfect anthology of the kind that fills my dreams would be as large as the various rather dismal series of volumes which contain, as we are told, "the world's best literature"—and doubtless would be as unsatisfactory.

Meanwhile, as all this represents an unattainable dream, we have reason to be glad that Mr. Lounsbury's particular anthology has been published.